你燃烧了我

　　Tú me\ a)$brasas is an
::adap,tati(on of “Sea Foa/:??m”, a chapter from Ces=$are Pavese’s “Dialoghi co n Leu:]#c=$(ò” pu,;bli+shed in 194 :7. T(:he an/)cient Gr+;eek poet Sap%-pho and 
-@the nymph Brito
%$ ma# rtis meet b;eside? t he  sea and have a conversation abou,=!]t
 lo,:ve and death. Sappho is said t,$ o have throw@n hersel(,f into the o cean f$@*rom love`sickness. Bri *tomartis,( / ap^parently tu(/[mbled off a# cl$%$i/ ff and in)to_ the water while fleein:$%g from a man(]%
. Toge.%the
r,)@ the two +discuss=]]+ the s]tories and images that have emerge_@;d`_ :ar*.)ound them to ])try and : ,.und-er%(stand, at least f-
!or .a mom/!ent, the =+=bitte;rsweet natur/e of[/^ desire. . The f#,ilm % adapts not only the .;text; but ,also footnotes and g#)a-ps* in t/]he/+$) sto-r,+y. % For ex
ample, t \he fact that, in 1950, a,] despe :ra:te(: Pavese+;^ com%mi+t *?ted !suici-?de i: n a hotel room w-=ith this book by hi%`s side).? Or that Sappho’s poems , \;have/ (= ^surviv!$ed. on.ly i??n fragments. Or that )se]@@a foam is hist.
+orically
_ and 
scientifically assoc#iated w=ith fer(/+_ti%(li_(ty,@ and bac `.teria, t!!+h/at is, with li[ f?]]e #$)i@-tse\lf.+ “Eve;r(\ything dies i#n the sea and comes back(^ t`o lif, e,” s%!*a]ys Britoma.\$rtis. Tú
)me $_a]@b+/rasa! s^)(` i/;(nt-roduces new readings and!?. transl!ations
 that go be^\/yond t* ,he my]=ths by ?! Pave*se an:`d@ ..  Sappho.