E.1027-艾琳·@_$格雷和海边的房子

A love tria*ngle of j!?ealousy in (+the P^!ari]si;(=an art s/cene of the 19?]30s is =(,brought to l- ,ife in a stylish doc#ufiction* a](bout iconic; artis\!t @and archit^@ect Eileen 
Gray,,;*) who buil_t her: modernist dream house on the [```Riviera, $only ^to be 
u)p `stage##d by L
%e Corbusi)* er. !, [: % \ `_ 
^ .:  　　Eileen Gray h^ad a tr$uly e_?!minent sense of de ,_sign. The[*
Irish artist and architect%? cre!?ated s)[om\=e $of the m%`os)t ico^?[nic f!^#
urnitu
r
e o,-?f the- #@ 20th century*, s`o when sh *e focu?ssed h`%er unique ])artisti;*c v/ision on developing a%? h*?o$+,use f\+_or he)rself on the` Riviera
@ in 19#;\2_9, the result wa+s`  a moder -_n;?*/ist trium`!_ph. A hous!)e a#nd a work of a rt in`@ one, ov*([erlook\
ing the sun-sp[(arkl-_e..d inf/\inity+ of$]? the Mediterranean.) T
he :ho,use is%  n?^*%amed E.1!\027, @; a c(:ryp
^tic co%?%\ntrac tion o  the n=/^ame*,(s of Gray _and her lover=,:,. Roma
nian archi%tect J_?ean Badovici. But wh[en the S:(wiss-French s+*ta]r a++r
chitect Le Cor`[b -^u^ ,+si[+]er le==arns_ ] of the house, h^%e bec?:^omes obsessed –?=) perhaps b_e\?cau?#se G-$ r)[ay b/-reat-%:hes light,; ai=:r a!nd^ `
so*ul into =her b- ui,lding, which %is not just a ma^ ch^ ;ine $:+to
* live in. ‘E.1),%027 – Eile: (e\: n $=@Gray and the House by the Se#a’ re(/construc[@ts the dramatic s*:tory of +==Gr`;a.(] y #and the house th.] at Le Corbusier ama$]=zingly m`,?anaged to c[onv;;ince the!( wo]\rld#$[ he had buil^=t himself. A stunningly beaut!/iful and cinematic docufict[i/@on where the insp iration fro%)
m Gray is present ]^in .\lines, col/ `ours a- nd shap.^es –  but wh! ere they serve the (]])narrativ!$e of a$] _ brilliant f#emal/e:] artist who$?[ spent a*- long l#`if@
e %in
the
] shadow \of her m;.$ale@ collea__gues. ` $ *`@ ?`(? 
 ] ($, !#$