阿蒂米德的膝盖

For Le G-)*enou$$;( d'Artemide Je--^`a:@-n-Mar#@ie: Stra,ub once again? _:cho*+se a :_-dialogue b\y![ Cesare (:Pav\\^ese. An;_^d no *t ju/st #%any dialog=u\=e, but one that tears :open a painful, mystical aby ss/, betwe,e)+n l]%o# v)e and the o  ne left behind. The film is one s,)ingle ex*h+?;ilaration and one- si%n?/$gle rush, a spell;=\- an d dispersion %into :nat
ure. It rise:/s from a dark [ @s:c$ree.n and chant _@to dis
appear- in the wo+/)[od,s with th+e [whi%\sper of the wind. !It has little to do with +=@ (wh.[at is generally? call`ed «cinema». It has one ,`!foot in the  w#:orld beyo#-nd.
Natu/=re ,]has t-*!)en mi-llion ti me^_ s_ ) the imagi*$n^ation of the most imag.inati##*ve o)_,f arti` st=%s. (\Jean-M%arie Stra).,[ub)