飘零@双燕

　　Magdalena and ,[Maria ,+ are two twin sisters wh.*o @]!we`r_e separated @ a;.t /bir-th and,- know no!`-thing o%f the other’s /exi=#?ste+nce.
],% Maria^ runs away(; from $ the bo )a#:rdi ng school# ;;];in w];hich she was brought` up and fin @ds /*work ``as a ca^baret performer in the ca.%fés of Mars;
eille`#?s. ($# M\_agdal \ena lives wi!!th her a,_dopte\ d pa?_rents and works i$\n an , @)@)art gal# ler?
y. ,[* The two sist`:er!$,s a +re `
jo_):ined by ?.)_an i!nvisible bond whi,]c`^h d# )raws them towar [ds t,he same tr$\ agic conclusion.　　D[
!i@ @(recto$$`#]r Werner Sc@=hr^oeter` ] has acquired a reputatio/*n as an exper _ime*ntali ?
st filmmaker, h`(`=ail`=e^ d by some as an .u)_nderra)ted genius, reviled_: by others +?for being ?/=a pe_
+*dd%ler of sel?f-indulgent kits,\ ch. Deux is argu$ably S\*chroeter’s most amb-(.it;[ious, unsettling[[+ and repulsive work to d
:=ate. The dir;!ector cer`tai`#,nly =]w)?:aste?+.s no t$:ime in .
alienati]?)ng
 his audience fro#!%m the first@-% ten minutes*, o*@/f ` the(! f
--*=ilm *i/ +t :];is clea?r  th))is i ;s not go; $ing t,@o be =;an easy rid/!:.e. The n@)arrative cuts *%ha [-pha\@.zardly be/$,\tween seem^^i!ngly unconnected events, alternat\ing between rea?;lis.m and ))$s
#tyl[=is
: [ed fantasy dream sequences, $peri\odically shoc-king t+_he  ;s/`=pe\/cta(,tor w: ith graphic imag],%es of lesbia@n( sex and a w];()oma]!@n being slowly disemb!*(o?#?welled. Havi ng several a_ )ctors p
laying m(`ulti[ple parts onl\:( y
adds to the ?se*(.nse of artifice;% and utt[*(er confusion, which is ,a pi ty as` there is manif$\estly a lot of great acting .`talent ;on =?/show – not least of which is Isabelle Hupper$t. The .film’s?? sheer relentless g! :ro\^tesq/+ueness and self];-ind$u#lg ence is so ex@`trem,e, ; so u+nb`$
[ridled, so%$. !stomach-churningly provo?
cat`i ve@, that it[ is hard to ta^ke\[* any of it serio [usly.