极度恐慌$1983

　　PANIC !+].BEATS begins with#
+ a totally (( #nude woman with wel\ts__^ on her body, @(#runn_(?(ing throu-gh a mis% [ty for\:#est full[? of dec?aye\d, skeletons. A :`knight o%\n  horse)$ba:+c:k is chasing ]
]her`\^, and !/)we soon lear=)n -t!h-*?at he is A)lari-
c de;%$ Marnac (a wicked character Nas%]chy _ fi@r@]s-t created for ? HORROR^. RISES FROM %T;#H.E TOMB), viciously killi_;ng her for=_ her
)* =.)$unfa_^ithful [[ways. After t ;+he-%+_ credit ]s rol(e@ ,.^ we ar#
e taken to the \present w(^here a descendent^ of Marn%+ac na__med. Paul _(Naschy#:) i+s mar`$ried to the wealthy#(. Ge.,neviève ($%Julia\_\ S?aly_).: was  has some se% ,rio (u/s hea$^
#rt problems%[. P[$aul decides to take he -r to his an=cestr+al home in the country for some p+(+ea;;ce and$_ quiet, but] the s[-uperstiti/.ous!-filled setting!# ( ^open s a Pandora’s Bo`/(x of terri?ble, occurrences.　 `$　We s_+\oon d:) i?scov+ er tha#($t =:Paul is a %real son-of=.-a-bitch w[ho pl$a@ns t)$o scare his wife to death,! plan,;ning t+@o co.ntrol her `:fortune a^[nd ]continue h(is secret a];]+ffair w]ith seduct_.ive bad girl Mireill(e*- (Silvia Miró), who hap#pens]: to be the niec?e o]f th\e taro/\[/t c=`ard-read :ing hous, \ek%=%eepe`=r, Ma
/;)bile (Lola Ga
o?#((s). P:/=^au !l’`.s male.-vo\ lent schem+; $e w^?.[ork%s, bu)t h\/e st;ill `@%=
has ]\]%to worry ab)_,o_:ut an ;additiona l money-hungry mis^
]tress (t#.his gu^y(:;= r=eally get`!s ar/=ound!), the unforgiv=ing \  Mabile, *as well as new f\) ianceé \Mire$#il
le who migh`!t be hi)_@ding a thing or two hers:%+elf.#
= More grisl(y  murders fol[]lo+w*\!$, an)d th.!e gho#[st of Mar\)%$nac  ret,,urns from he^ll to ^,*punish the mo`?st #desp \i \`cable human characte-:r 

in +th^e film.@* 　　PANIC B[?EATS was also writte ?n by Naschy (under his r-%_ea%l nam[=e Jacinto Molina) who inje-ct)*[s t=)he f; il`!_m w@ith an old-fashion/ed
@@ spooky -house motif, beefe =d up=_\ with a$# modern movie s^en,:se of v`iol#*,ence and -*sexua-lity./ The( fil=!m offers .nothing too!\ innovative storywise#@`, ^`$and)
 even Naschy #\ admits on the _disc’s ext\ ras that it was partly inspir!
/ed by GASLIGHT and REBECCA[=, bu
\:t he seem(^s to just^#:# toss in:) a ho[dgepodge.; of@ ex-ploi.]-tat\`i!on and horror ingredient+s, wh@ ,@ile del =ivering .a ?` styl:ish and enjoyable !effort [with\ a nu=mber o+f  @twists and som e genuinely ch$illi [
ng,_`( $(\+mom;ents-:.^?! Th_%?e]+ camera shot.=s and lig#%ht.;^^ing are +-/b ]oth effective, an\d ^there&#3@9;s even does a cool(,; set`
^-#;u(#p (m=?.u:-ch lik^e what Freddie Francis did in THE SKULL and THE CRE*#E PIN#
G` ] FLESH) where we se e [! t(-he point of view of **M;arnac throug[h his dark he;/#lmet as h/!e sta^)lks !$his female (
$?prey. G%raphic_%)ally, we are#@ , exposed t`*o everything from a plate of+] bloody eyeballs(
, to v.%ictims b@ [eing be.aten relentlessly with :+\t$he ]@,various$ Me)diev:al wea
p
=.?ons/. affix+,?@[e:d (on :%!th*!e h%ouse’s wal^ls (for exam`)^ple, someone @# is a%xed in the stomach, f /ollowed by the soaked e)*ntrails oozi%@n@
/g ou`#:t!=). Nas[ch+#-)y’s `most
._frequent 1980s leadi )!ng lady, Julia Sa*;ly, i#@ s not gi:]ven much to[@: d?o, but with h;(er offb?);ea[\t_ looks,), is!^ a n`%! ice pr!?es]ence no#n(etheles*s;$. The promin#e/\_nt female star %here#- is Silvia M
iró$ who/(] is seen `] in th*(] e b-#uff frequently, and she ce,-(-rtainl/?/^y makes _for some_ *we)ll-appreciat/ed E;^( uro starle t eye ,` c a# n^dy.$ N#( asch#\y himself is very good in the film, , putt\:i
ng $on conniving faca,;des, ca\rrying _ a
* number of women! +*on !-_a s$_!tri$?;(ng, ^b`eing a real m %alicio#.us bastard`, an\_d for the umpteent/h time in hi,?
s career, p;,l\ aying t.wo roles i],$n a on,,e film.　　http://www.dvddrive-in.com/reviews/n-s/panicbeats8283.htm