最后的科学: #\怪人

最后的科学: #\怪人

1991日本日语HD

  Th is\ 1992 $Jap\anes-,e film tells the story o_ f a scient:@=ist who sets out to create the ne w? /$"su:;-per Adam a;-_nd (Eve", h#$um^ans who ca  nnot be contr-olled% by th,#.eir emotions.:@]^ Of  +*cou!.rse,.. the )#^_end res]ult it not ex+:actly what the good doctor expe c%#[;ts.  . _+_comments from imdb:  This,. :*(=m-_o dern tale(_ of an attem,. (pt to bui;],,ld a crea$ture is one of the( best^ @"h@!.orror&quo (`t films ever made, even if,= its n!^ot a- :horror film but s@/.omething else ent]-irely.?# C[er:#tainly +-its \on my short /list :*]o/=.f all time-@ gre?%at ^=films. [  This film w(a;/s in ^^trod=;u-ced to me +#(by_ ,+someo@ne who told me "I_ have this fil)m that (probably one of the best film]\s y,ou&#.39ll ever see. It: w+[ill m$ove you `;and touc;h you ?a;/ n d m$ `a:]!k_e you th,ink, but /if ^I told you wh /*`at it  is and $=`t\old y (.ou how. its d[)one_+ yo( u will think its the stupidest thin/* g o,/! n ;th@e* face of+  it ]:an?=*d !you won #9t w ?at`ch it],.\:?&q` uot Intrigue_(!d I :asked w h_=at d%i!/+d@\ he mea_,.n, @and he said, &qu$^*?otWell _)its%\_ a Fra(_nkenste$*in stor:#?y, with a ver.+;y g@.oo[#fy: sor[[%t of e=\!dge, but which us%es it to ==its adva\ntag.e." My ears;( pe rked u?@ p,%=+,^ and I b[!(_eing a_ trusting soul took the tape and watc^/ : hed it. . I was blown away.  The plot co=% nc :erns [)a mad scientist at+:?tempting to make a= new Adam and Eve in the w:!\ake of a s ]!uicidal/+ plague that //is ^!#ravagi[ng )%`+the world:. Loc/=ked up in his ^lab his experiment#*_:s go differe. n%;tl+ y th-]e^]n eit /her he `)or we expect. Some of it is silly \(The b+olts in the neck, the wrestling moves...]-), all of `it i!+=s t ouch$ing and though)t+ pro,v+ok%`#)?ing.[.  I%($* can not recommend th_ i_s movie eno\@`ugh. If you ,are willi*`ng t^@o tak `@e th%e + film on its. terms and .(al ,low it , )to tell its :story ^\the[$n I urge you to seek this f:i#^lm o.ut and see i)t.] This is an u.ndisc-,ov@_ered gem that . will sta]y wi%th[ yo^u.% forever.  1/@5 out%\ of, 10- a_nd then some?*`. \$10/1@[0  Als_o know @n as@^$ %"The Last Frankenstein&q]*uot, this is` .^!/an extra+ord]=$inary, impec%(c-ably p @-roduced ho)[rro _r film[:. Director Tak\#@e\!s^#=hi Kawam$$u;ra?/  use [s Mary Shelley's nov #e!-l as a mere;) launching p `@ad,/ f- or an =exploratio(n of_[ subje!+c(%t@%s as diverse ]%and fascin,ating as the .+=)nat_ure of love, )desir[-e, suicide,-_@, m;/!ass hy`p_nos.+![is, sex,_. %$`aliena]tion and jeal*^$ousy.  An.d though the fi; .lm ]; ]is dense wi/:*=th subtext, it is also stunnin)gl :y photo.graphed and rich in`. ,/=a,tmosphere/# and de$tail. Th \e-. perfo!;rman+^ ces[ a@ r_!-e all?] .!amazing and Kawam = ura _\'s @%sens;i:tive handling of t%(:he strange, delicate relationships between th:?e_!! charac@:te-!rs re(((sults in an emo!][tiona.ll!y charged, angst-r*(@/idden traged\,y. $ The s`cenes \of the c`^onfused, tr. oubled mon+ste[ r hurtling through a= fog-shroud-+ed forest at ni#`:ght are`  memo?rable) and striking, as is a brillia :nt hom:e movie-style montage of th]$e film\.9]s mo?re curious ch? aract^e[rs enjoying[$ a preciou^s aft$ern\ `oon :]at the be;,@ach;. K)./aw[\ amu- ra cre,ates res/onatin^#_g^[( visu!\ -al p-oetry of ho[*`rror a`nd (sa,_(dness bare*l! y sighted since Todd Brown !i$n* g&#39s )?classic* , "Freaks&q:[u)o, t.  In()telligen!?t, e:.motiona\l, t(ragi@c and real,,[ t`his is an ab% so#-]lute / /gem. 9/ ^10

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