玩偶
1968

　　The Doll is] an adaptation of `the novel, The Do/ll (novel) by Bolesław Prus,@ wh i`! ch is,) regarde\d*` by ma.n%y as one of the finest Po,`lish novels ever written[  \and -$, along? wit. h Pharao ,h (nov!+el#), m%^+a@de/? B\$@ole:]s/[!ław Prus ) -a pot \ential can()didate for the/;:/ Nobe@l Prize in li#terature`). The,) infl:`.ue$=n` [=ce o,/
f Émil#*e /$Zola is evident, and= some have compared t:@! h_e novel )to Madame# @Bovary b=%,!y Gustave =)$Flaub,?+ert both were P+\rus's c#.o-:ntemporar%:ies. Th`)!e movie, however, may be.- m`?^ore com,pared to Stendhal&$?_##`-39s] Le (@Rouge et le Noir, (T%( he Red and= t:@%he** Black).　　T-# he Doll *-c%+onst_$itu);tes a panorama.!` of
 life in Warsaw betw*: een 1878 an
+d :187(+]9, and a
@ t the sa[(me time is! a subtle story of t:_hree generations\* o $!f Po[)lish idealists, thei;,)r psychol*ogi$cal com^!plications, their involvement i]==n $$the( history [# of the nineteenth century, soci*al dra?,]mas,  ;moral pro^*=blem[]s and =the expe)rience of +tra?*gic existenc*e@,. At @ the same +tim:e( [ th]@is sto@ry d]?escrib
%es the % disint;egration \[ of( social relationships and the growing se#:?par%ation \of a society whose aris#-tocr
\at_ic elit.e spread(-
]s the mod%?els of vani/ty; and idleness.=) ?In =.the bad air *-#of +a backward c\+(ountry, anti%--Semitic ]ideas are born, valua_b$le indi;viduals mee,t obs\%tacles *o^\n:? t)[hei:r w.:ay, an=d .[
s#coundrels `are ^ *succe%ssful.　　Th\is poetic +love sto -:ry \follows a $!:nouvea;#u \riche merchant, ,` !;-=Stanisla,[w== /@!)Wok_:ulsk``i, th roug]`!\h a ser#+,ies of trials ?#and tribul_atio]
.ns occasion#ed by his `obsessive pass`*$]ion @?for an aristocr[\_a!+@t$$ic - beauty, =Izabel?+a L%;ecka, played b*[y th[?:#e famou s Polish actress, Beata  Tyszkie_+wicz.　　Plot:#　　As a d`escendant of an@ i
\mpover`%@ ished Poli$s,\h noble family, young@ Wokulski? is forc#-ed to work as a waiter a)t Hopfer&:/#39s, a War-saw restaurant, while ]dre(aming.  of a $$life in sci\. ence.% After taking part =in the failed 18*=63/( Uprising ag-$ai?@nst Tsarist Russia, he -`)i==!s sentenced to e`@
xile% in Siberia_. On event-u,#al return@\ to Wa:rsaw, he becom`es +\a sale sman `)at  %Mincel's haberdas]hery. M arrying the late: o#[*\wn:-(er's ;wid=o:w ( w\ho eve*:.ntually d?]ies), he comes i n
@`^to money and use_s i`t t*?(
o s[\et up* ( *:a part%\[-n +_er%ship with(/; a Russian/ merchant .$=he had met while.; in ex $**ile. The t$w/*o mer/];-chan-ts go ,to Bulg)ar/$ia \-during th_.^e !Ru:? ss:o--T^,urk?@ish-: War of 1!(;_877-78,+:# and Wokul] .ski $^$ma?$-kes a fortune supplying t$;he Russian A rmy. Th!e # en$ !te#)\rprising W$ok\;ulski now^ proves a romantic@ at heart(=$, fallin%\!`g ^ 
in :_lov[$$[e wi/;#th Izabela, daughter of the vacuou.s, bankru:**pt ar
istocrat, Tomasz Łę_.c=?=]k
i. In his que#_s=t to w$%/in I [zabela, W @+oku\^lski begins frequ ==enting the::#atres: and aris=?tocratic salons and to h )elp h%er fi#(nancia;lly# distres[#.se,d father?^+, f?ou!#)nds  a compan#y and. sets) %\th;e arist;ocrats up as:- sha+(reho-=ld`_ers i_n his business.The indolen*,/ce of  ]these arist]+(ocrats,` who s*]ec/ure with their!] %%%pe+,?nsio/n%s, are t/_@oo l=
azy, to undertake new busine(ss risks,
 fr:*us:trates Wokulski. Hi:.s abi)lity to make `.money is ]respected but?) his/)( lack of fami/ly!-(` and+( so,-cial rank is con_d#+escended to\- . Beca`use; o=@f (%]hi`s &q\ uothelp&^quot (in /+sec[ret) to Izabela&#. 39s imp)ecunious [:but infl(ue+ /ntia!l f_)ather,^ the girl becomes aware of his  affection. In t.[he end ? )she consents to`# accept hi)/m, but without tru_e [[devotion or l , o;ve.!-.(w#ikipedia)