从今天到明天

　　Based on an unknown S ch. ö )[nberg opera from 1(929, ?;From Today *(Until Tomorr/ow explores one night ,)in a not-quite *(l!oveless marriage:. A hu;#:sband and wif+e retu$_rn from a+- pa!/r[ $(ty w/!h
[ere+# she has ?]flirted with a-nother man,( . while he has ca=-^st an apprai;sing%=]+ eye t:oward 
an attract _@ive, fashion^?$ably dressed acqu$aintance of$. his wife’s.; #)Thou]!# gh  each:] drea ; m[s, brie#*fly, of l+eaving ? the marr-::i+-age for t+,he excitemen(t and mystery of a new [love`r, in the end t hey/_ d:ec*%ide stabi\`lity !and co;mfort are ;*=^mo*
_r]=%e important th!an%( . the[; fleeting thril=\]l of new ro#);[m=[ance.` Dir.ectors Jean-!]Marie St(`.,raub and Danièl\/e!
 Huill#?.e:=t=, _
!wh\_o p *revi;@ously  c (ollaborated?.,\ on ]: $two oth
er#(, film`#-s about music (T^he:* Chronicle( of A\nna %` M-,-agd(\!-al!ena Bach, \_ 1968, and Moses@) -and Aaron, 1975), rely.% on ;;lon^=]g fixed #:s?]hots-% in austere bla;_ck-[$and-white so th; at the f@^%ocus remains on the mu$si$cal brill];ian[ce of S*+;chönberg+’s atonal?^ @:$score, p[erf][!o-_%rmed here  by 70 musicians. T%%hat Schönber(=$g woul]#d c]hoose such$ a#]! r(? .elatively li]^@ghthearte] d message for @`his newly discovered m,usical la%ng-.uage remain_^(%s a*)  my. stery, especially^ s ince ) the conclusion re%:_ached b\y the?+ husb/[and /+^and wife—to stic_.@k, w++ith the tried an `d true—see-ms d[#i re!]]c.tly at odds with Schönberg’s^_ ow/(n ph]ilosophy of composing. It is just [this;- jux^taposi$tion, how:: eve;/(%r, c?oupled with S^\: trau,b and Huillet’s faithful
 pres?!(en #tation, that make(s the op_er`:!+a a co; mpe`lling *a\.ddition to the Schönber$g )^@can%on—and:- the fi#lm su] @:ch,* a challenging and -intriguing #experien.(-ce.