巴伐利亚打猎$即景

　　yno$ psis from^,$ Time ^O/ut Film Gu/\ ide^: Between ]$.the se@emingly id.+yllic ope^ning-_ ,.and closi*[ng scenes depicti+;ng a ! rural ( commu[nity, first at ch^#*urch, ^$`the n a)t t:`he village festival, Flei\ schm/ann $a!
+t=[/%tacks#? that commu*?nit`y's preju
dice$s and^# ]-ignorance withou.-_?t remorse. H+is %
v]e$@%/ry precisely obs:erved ;!_portrait of Ba(/va@[ +ri^^an life begins with little more than a di:splay of the villagers\\@9 constant ri(.b.$_bing, bawdy
!^:humour, ::co* ?nt##in* [uou]s gossip\, @ a[nd mor;=e )@
t$han a hi$nt of _t]%?%heir slow-wi_?tted*ness.^= With t$ he return of=+_# ;`a you n,g man;/, their^ id \le *]@ma]l\-ice and chil!)dis#`[h= +*/clownin._g, al_%ways o,=/n th-e edge o\/f !-u-=np=
leasantness, receive /=some focu(s: ,\$quite wit`-hout foun^-dation,% the lad ;-!is victimised as a ho![%mo@^sexual. T,.h[ e :#[cr)+;ippling ]c\[)onformity of t/_he# #[ir ingrained cons/ervatis?;m le=/ads] %+ the villa^g=ers to +reje_!ct any;t@\%h+ing &#.3)#9different':], a =#young wido w is ostracised, more for her cr\:ippled lo-ver #%;and idio,t son t(\han her morals a te_,acher is:+ fr[ozen out because she^[9s ed@uc_ ated the cas^ual de+/ struction of the young 'homosex
ual :.' is giv*;en no?,_: :mor:e
 thought than the cutting up of a pi+
_g. Not Germany@  in the _-ཚs but the &#:3970s)% ``nevert*@,$h.eless @=the political par_. a\`llels a[ re clear=,^. An impre;-ss`(_ive fi#l
m.