总路?*@线

　　Due to some./ common i)nterests; between German and *Rus##.si/an aristo* cra+-(c$y (? # the Rus# sians ev[=en had =)aristocr^a`!t])s in their pa  ,s=!t not to =\-ment _$i/on )they #had an Empre -+ss ca-@lled Cathe-)@rin_e the ?.Great, a?# s great as this Ge,(rman coun\t#*9s heire%^sses…
), it `is n ot strange that this Teut:;onic co ;(unt has und\^erstood \(an) :d even enjoyed Herr S. M. Eisen#stein's "Staroye* I Novoye".　　It is @not ver[\]*y usu al t /ha!.t for the arist%=ocracy ($to enjoy Bolshevist films ful.l o%f proletarian deman]:ds th!,at put private proper,^ty :at
,\risk or as it )!^h*appen:/!s in this ca=se, _ a film abo: ut the Commu
nist Party&#39s policy (/on th#;e[, subj_$ect of the collectivization of\
 the Soviet agricultur
,e. N:or (=m:\ally this !$woul]d be + perfect gibb?er$ish for thi(s G  :erman count, but than.ks to ] @He-rr Eise^;/ns= tei-`],n &\/#^.^39s greatness ]` an\d /%direct@-orial ta/]lent%!, th,e hardships of the heroine of th/\e fi@l/@m, Dame Mar )f/=a ( Dame _-Marfa Lapkina )*!) brea]%ched even the.]
 t#hi /ck aristoc ratic Schlos!#s wall*
s.　　A`nd that's one of t +he fi%rst remarkable `+aspects of--  @this oeuvr\e ;in spite of the political subject of t:he *](fil!  m, the powerful images _and lyricism ( astoni@s[@ hing a;?nd \beautiful[: shot compositions ), especially duri(n; $g t;$he first pa?r`@:t of th;e m @ovie, preserve.# the= ;]a :rtistic ?merits e$;ntir/++ely wh +ile:: ser% ?_v-+ing a (/prop-?agand,a purpose. The [/second r=;-;em!`a;rka],ble)/ aspect ^of *+the film is the dich=
]otomy b[*\ et
w\een the o].ld and ne w,? the fight to impr\#o]?ve =the  lot of Dame Marfa an`%d/` her cou . n ,trymen. There are many discussions b$ _ecause it i-#+s not easy#[ even # in Ru:+ssia @@_to ^;change ancient an:d cons(+ ervative cu*@s@\$^to +/ms:%!\. T, here are !:super/b met$$a$?$p, ?hors a[nd s@, _o;:cial criticism ( )\illiter/$]acy, bureaucr_@acy,,_ religios*ity ) which perf^ectly fit th$e ?]((film, and last but[= not least%@, "*]#St aroye ]I ^_Novoy/.(e@)&!quo^t, is #a kind of archaic d]=ocumentar@#/y about= an+cient custom
!s es+tablished deeply;_
@ [_
=in old R!. u!ssi!,a, t#h$ose ones that.[ our;
,[ heroine m? us$ t% figh* `t against. And%_ there =\ i: s also a lot about()* agricu[ltu[-@re ( very e=+(nlighte?;n^$ in-g fo:)[r this Ge
%rman c??
o 
unt),/ ]! especi @ally/% ab]:[)out har`v
esting and how to fat;=-t\*e)\n Russian =co-($ws or[#, p igs %( .)+)liter^#][ally,/_ no pun here(:… ).　　Her/`r #!;Eisenstei n h: ad to b-e]\?ar durin=:g the[]_ las;t era of his film$./ career, unb eli! ;evabl%\[e censorship and mutilation of-# #h
is work!)@^=,+
\_as happens with &quotSt
:aroye I Novoye&%$quot. The fil)m was re _^edited^$ and Eisenstein%\( a:. ccused of sy%$-mpathizing ,wit.!,^h[] Tros-]tky&#]39s poli!;;cies but;! ?;fortuna?!!tely the ?f  *ilm wa s- re)stored_ ?+and s:,;:howed by the Germ/an-frenchi
(f !-ied?
t.v. cha+$.n_%nel &qu+-otARTE&!uot, na`t@ür;. li c?h!, incl;\u.)ding@ an)! ev]%%oc(=ative music score by- Herr T)@aras\; Bujewski,,[! :) th-^@a$ $:t fits  super`bly Herr Eisenstein =primal ar\-;t:,istic in% terests .　　A];nd now, if you&-)#39ll all+,o:\w me-#`,` ]\I must temporarily take:: my  =leave )(.because .$:this G erman Count must bu!y .*a \_)=tracto.
#) r f?^!or one:# of h][is !?Teutonic heiress.