流浪女

　　Like h-is *f( $i] ery study of a popul a;r milie( u in Fièvre, Lou(is @[^De$;
lluc's early masterpiece o[f( im-pre @
ssionist) cine]$ma, La Femme+% de Nulle Part, is )a@l\, mo@:( st impos(!s:i]ble to see outside of rare ar _-`chival projections  in P]aris. Shot in@ *nat-/!ural @(settings, and st;@ripped` of all that is \ no.]*t c/ inema, Delluc&#[;39  -s psych/ o$+:lo;gical ?drama featuring sym=`bolist muse \E%/ve Francis is] an e)xp[-erime(?n![t in 'dir[ ect style.-' A fascinatin+g study\ in /()the  relati/,on

[shi` p between +past ;$:an-d ^!present, memory,!+ dr
+e
)am and r,\eality, th$ _is r@%evolut:io#`;nar\
y fil m $=would be a source of inspiratio%:n, for s^ucce:ssive*/.] fi``_l@+mmakers,(- %%from Francois Truffaut to A]:*lain Resn)!]ais.