马丁
7.1评分
Martin (John Amplas), a yo +^ung ma%n `_who l.! o* oks :aroun_%#d 20-y ears-ol]# d, boar]!#ds a t ?r.@ain=^` in Indian!#%apolis, ]#@I ndiana fo#.r _,=New York\. A [ t night+, he) ` break%#s int`o a sleeping car ++#a =(nd sed?\ates (a/ woman/?: wi$,_th %.$+;a $syringe\( ful]$l of narcotic `s. :She )?strugg#,les, but he tell\ %s (her not to struggle* or/+\` be upset because she wont +\%feel pai=-n. Afte r a few minute;+s (, t%,] he wo_@man falls asle] ep, an d Martin has sex ,wit h the u$%nc%on/sci ous woman. Afterward) s, he slices her w + rists;]) with a razor blade so h:[^e -can d]$rink her bloo`\;$d -. The w:oman bleeds to death in he,[ r s` leep)@. In the[) mor [ning, the train s!,$.tops in Pittsbu+^ %rgh, Pennsylv = ania where ] Martin# d*^i\ .sembarks. He is met* ;@by Tata Cuda (Linco,]ln Maazel) ? # an elderly? and ho -)s @t\$? ile %.+old man who cla #i([ms \, to ; b%%e\ his cousin!]( from the ] ;Old World. T\ogethe. r,(_ the:/y travel by an!)#other- tr*ain to t- he , ^town%! * of Br_%addock, ^ a dyin#g industrial suburb. They walk+/ to Cuda's l./a![rge h# $ouse where he shows Ma rtin h`is living qua_;r#= ters. Cuda then accuses Martin o !f bei=*ng a( n 84$-( year-ol,:d vampire + f%]rom his old co[($/untry. # H+*- e ha?^s ta. =ken. in Martin be!cause h^e is famil) y, but tells him, \@,"Fir/`st I@ w`il/ *l save y-@our so%, ul. Then I %`$shall destr_.o.@y / !you. \&qu+ot M!^a= r%@%tin denies bein]/-g a v* a.-mp +ire and[? i*@m`=plies that Cuda is mer]ely his uncle rather than his cousin. Cuda [[ _then puts up !strings of ,garlic on the doo rs t@o his and his gr\_andda\/u$g `)hter 's room, and th (en holds up a sm=al:_l c(ross when Martin approac:hes hi:m^$. Ma)@ rtin^ t;)!akes awa@y: =,)the cross, and even takes a bite ) of the ga /rlic mocking these #attempt^s by s_:ay.in? g bitt\?: erly, "T# `he_;re# \ &_.#\3#.%9s n%o r(eal m=+@`agic... ever&quo _t. Cuda tells Martin that he can com e a%!nd go a #s he*!= =)@pleases.@.$ B:^.:ut \ he also w!/arns Mar!`ti^%/n that he wi$^ll# ki;..;ll him if ^ he kills @anyone in Braddo` ck. He also tel%(ls (Martin t :\_o stay away from hi,-s granddaughter Christine,. (Christine Fo rrest), w hom arr./*iv/,es ho_ me@= from #%her \job that evening. C?\(uda ;;]in[tr. oduces C-(hristine to Martin, but also warns h* er to stay a`way from@ him. !=But[@ C =[`hr]@istine instead\` ;s$trikes up a friendshi.p with Martin who confi]-des in h ? (er a ;=(:bou#`:t ^+;h=#is vampi($ re herita ?g(e. When Cuda lat er confirms /; Marti)n&- #39#s claims +to be !a vampire, C?hristine, +not sur-:prisingly, refuses(:% ! to believe e(__i;t!@her %one. She t;\(hink ?s that Cuda and t %;,/he other ;%^m #emb)ers; of her famil ,:y hav /*e drive %=n Ma`?rtin to ins_a : /[ni/ ty^ by making h $i^_@m th! ink that he_ is a vampire. It i -(s (never rev?@% ealed @if%;%? M@-%^_ar + tin real`l= y is a vampi_,re, or j\ [@ust a shy!.] a/,$nd lonely? , # _youth with tr(_ )ouble[d @issues. Chris%_tine i _s th-/e only person that Martin #gets the courage to talk to. @ ! W)hen Chri+?]s;%^tine's boyfriend Arthur (Tom Sa+ \vini) arrives at * the ho :use for -dinner, Martin `[s.\top s ta . lkin g a $@nd b acks aw` ,ay despite )#Art=hur/] 9s at/#t )%emp=!t:,; at - \a conversation. Chri!-st]ine later confid \$/es in Martin that she hopes [ to lea ^ve Braddock someday with Arthur, ev\#en tho=#ugh @[#:Martin points out that Arthur treat( s_%?# her :?bad.*ly and i s both ver bally a nd p?/hys@ -ically a,busiv .$`e [towar:]ds he*r. When C):hr%;i %stin-)e se _es that Ma^^rtin won&#%?:]39t t)=alk to # anyone el(se, she buy[ s him a p $hone whic_#,+h h e- instal@!:ls :in his room. Martin begins [to rep/-ea[ (tingl- [y call a radio talk /] sho :w whe)r e he d%escribes w %ha[(:t i@/t's like to be a vam!,+p(i\ r*=e. He+#; becomes known on t he radio as &quo tthe Cou `nt"\- to all the _l==isten er;_s. @ But the patro +nizi;( ng ho ?st (Micha, el Gornick) ` t .h inks(. he's ju %st crazy.#` ?)+Martin ge ts @ a job at ;`Cu`, da&#]3^$)9s gr )\ocery ?store of stocking shelv*_ e=/s, haul_+ing.:+ bo`)xes around, a=nd even gets to be a deli:`ve#),r@y boy for som`$e of the customers. One of? his cu]stom\ \ers ]:@is a certa^$in*( Abb`?y]@ Santini (Elyane Nadeau), who becom/]es ta ken in with Martin. * She is a ver[ `y,( fr`]iend`?.ly y ou%ng wo?#man who is de.!%pressed wh (en .@)she tells Ma]= rti:`n .t=/hat her] h* usba %nd is u `nfaithfu ]l. But M +ar:) tin +=still doe \s n= ot h^*a -ve [,`the nerve to talk w:;]!ith her#$, so sh)e is happy to have s \+`omeone to ?? confide in wi/?th# her life\ [proble!ms. M)\-artin pho.%,?ne s \the:. radio ;show ho@st to describe h ])%^is infatuation with( the hous(,e]$/wife an\ d sense:s that she ^)_want s to have sex with him. Whe`= n], t![he radio !show host asks Mar (tin i*?;f it is a sexual pro;*blem that _;@he has involvi ng wom$*en cr _:iticizing %% him )d #ur!!ing sex, Mar!tin replie s ^ [that he ; has never had sex with a woma; n `-w- ;ho w!as) aw*ake. O[,ne day, Ma+ rt#[in( travel([s by# tra%[in -?to outside Bra -ddock to look for victi),m.$s. At @ a supermarket, he f;$[o =llows a yo#$ ung woman (Sarah Ve #)nab?( le) ho% ]m #e to her posh subu@\-,rban %*; hous=$e. He sees the -( wo $man's hu )(!(sban,d (Richard Rubenstein_) lea_%$ve for a long [$ ,business tr-ip/-;, an! d M#:+a $rti.n decides t @ hi s .would be =the righ t time for- m??`ore feeding. Ma,rt]in returns to the hou` `s%# e after dark and ` brea]-k-s in_ through+] the$) gar age .* d\_oor._ But -;+^it i!$_ s,[%! Mar ti n[`= w!h!- ?o g/ets the surpris:e when he + burst$\]s int.$-o her bed+?room t(o fi_n- d - her # ) in bed^ ;) with h$/ er adult: erous lover Lewis (Al Levitsky). After a vicious _st `ruggl ;$e, Mar,@tin ja \bs =; bot-h of them- w ith #:hy+prod- erm /ic needles+@% # `with narcotics, an,d wait*s f[ or the d`rug%s to t^ *a ke affect. He dra g:s the unconsc$ious) (body of Lewis f rom !the ]h^#o ! use .to a clu/mp;( of tre?`e: s acr_oss t= he , street whe: re he+.:$ kills him b y shoving a br oke`$n$ tree ,)branch -)i*n -$[to ?_) his ne(:ck an;d drinks ?* ,?]his %#(blood. Martin _re t#(urns-[ to the[ hous )e where he \)#:has sex with the unco!.nscious woman. !+But ou @t] of compass*io:)n (( /and: pity, he decides t.!`+o let h,% er]) live. ? M`ar t@\in begi-ns ,#%$to have romantic monochrome visi-[on] s of+ )\h*=is vampire pa]#?s\t\ (real @,or imagin#ed), w%]here: : he drained )%bloo?%d from `+a young woman and w``as chased through the stree;ts of a n;%am%.eles@]=:s ,%Europ?ea+% ,n to^*/wn by a torch-lit mob. Durin+. *g %one ]Su nday $at chu ] rch, C@ uda brin]\_^gs- home Father @ ,Howard (Geo^ rge A. ::Romero) who* a$#sks . h[i m !abo@[;? ut the p!+ossibi-;(lity_@ ` of e %@xorcism a,*nd demo^n possess ion. Father Howard cal* l s?.; up$on))++ the elderly Father Zulema#_ns# (Clifford For_rest, Jr.)! * over at Cuda's request. Toge ),#ther, C,.uda a *nd Zulem-:$$ ans ) confront M%a,#rt? - in his bedroom an@ d att$ empt to perform an ex + orcism on him. At this (point, _Martin reme$_mbe $rs ( .[ano!#th` er real or, imaginary-?- @ flashback), i\\n the Old C]#;ount%r$:) y of people tryi$^ng (* to perfor#m an exo[(rcism :]$ on him, and ?he f(le(*es them. Mart(in t ? ]hen flees/ fro@;%m Cu da*-^^ and Zuelmas a!s well. A,_ littl^;e la ,$te/`\r that:] night, ,M+artin te: ]rroriz@:+es C/^uda in a :ch?\i!;#ldren's playg\@ro(:[und(] when he@# puts on a @Dra\cula cap e and puts false f.!angs into his m #outh to pretend t:-*hat#? h+e really is @ a va?mpire.[) One day, Ma. rti`\n finally (m .u@,#)sters (^(the courage t+\:o talk with[ M. rs.! San ti ni duri_ng a$ ($^[ routin$(e delive/ry to her hou s$e wh %]ere he tells he.%%r th] ]at he's a_: wa@$re of_ ] her a*[ttem^% @pts to+? seduce )`.?him and wants n,(#ow to have sex ?$ with her. Aft?. e r ha `:ving \ se -]#x for the first #!time, M;#@ rs.#,@ .@ Sant/*_in]=_,i becomes mo@re dep-]$ ressed for she te][lls Ma;/)rtin- / that h%%er ?#husband ] just left , h! er b`$ecau-se s.@he disc-over)?ed that s#):he cann:( o%t- bear childr[en, and that \ he/ ^ r desires t ![;oward )s him @are b,?ased on s*#e$x and no thing else. But *Mart in ? ( wants to stay $_w??ith=- her and help _he[ [r move on with her #^life\;. Mar?@tin te@ lls the radio sho;,@$w host a bou!-t h % is aff-@\air with th- _e housewife and[ that he no ;; longer has the urge t\ #`o attack: */ other w@o!*men. Me*#]anwhil)e, Arthur meet @/s wi]]:th C// uda and te`lls him that he *wants Christine to leav, %e town with him s[^:o ^[they can: get m =arried and sta.rt a family. But Christ%=ine becomes angry at Cuda@ #/-w[:^ h? en he tel*$ls A^rthur th) at ins ani;$]ty ,?;runs ]in their famil% y and h $`e\. shouldn't con` si/der having ch-:ildre n with he r. Shortly afterwards, Chr^ *ist`ine packs ]up and leaves\! Braddock _ for N[#e@w `!York wit*h Art?`, h@(%,ur d\ espi@t e Martin = telling her tha-:t Ar,thur is ,abusiv@)e ?%to*^wards he=_ r. +$++But,! h[:er mind is made up. @$ B*efo]r.=]e l+]eavin#^g, C-hristi; #ne tel$ ls Martin t hat ])s +^he r eally has no ill fe\eli ?n// gs to; ; w;a@ =\rds) ` hi^=m ._+and just wants to- mak e a# fre`sh start w) *ith! _ her life.?, She says good b _ye to him and promis ,-es to wr `ite. But Mart `?in knows_ t:)h. a t with an / abusive and posse@`\%ssive man $[in Chr[ istine & #3? 9s life, she proba:bly won-9t. De+ pressed over l@osin#@^g his/ one true friend, Martin p+hones the radi o #/ show host an d t; ells h :*im/( th,*at h+^- e)'s getting # "shaky" and w #ants, t`,^o go:_+ ou:t #;looking f(] @or[#% more vic@: tims. That nig?:@ht, Mart ^in t, # ravels to a rough `cr:im e-ridden area of ;,Pittsbu:!(rgh and @attacks two derelict- %s in a alle .y, [+injecting them wi % th$ narcotics. He kill !s one of the*m - _!by siltin]g + t?(he bum&(#39s$ wri! st and d)rinking h/ is blood/. M !art in \#is ;[ abou+[ t ,to kill the second:; on=#e when a po #`lice$\; car shows up an d gives chase. Mar _tin narrowly es!!capes@_^ durin g a long chas *e on f@oot which leads fr* om the +$%%garbage st[[:#rew s_treet s an :_?d thro @\ugh =[ a !]] loc(al store. Mar%tin runs into [?%an ==old[,= -wareho @!use.` where a d / r ,=ug deal is going d\\own. ,-?A sho+,$`o__t_] (%out b *etween the two cops [@and th$\ e t#,hre %#e thugs begins where al([.l_ of!^ them a#re ]# ]killed , leaving Ma] rtin a*[//s the sole survivor who ca(_sually wal,ks \]#:away ] from $ t_ he carnage. O ne day,!_ Marti];^ n ` fi nd%*s, \+ Mr s. S]) antin.^i** dead ?- in` her bat! htub, af)=+@#ter she had `sl)! i = t her writs_^* with a razor blade. Martin a;:[nonymous@ly! calls t he police to ? repor_t the body `:and leaves. He[!! phones the !)rad]-=io; show host one fina[l time to sa $ y!?][ that he really doesn&#;( /39t ;n=e%^# ed fr;$iends or peo !+pl, e to talk to for he i:$[s +his own p) /erson.` Bu]%#t !+$when C( uda lear ,_ns ( a) bout %Mrs$ . ( S_,$antini^= '_s suicide, is \mi_, (stakenly thin*,ks Ma `rtin k`illed/ her ?;and mad e^ / it l\%ook like ;?:a $sui[ci* de as ,he's d.,one before.;^ Cuda wa=: lks i[ =nt#$?(o Martin&; _=#39s ro ) om while he[ @ is asleep and k/ills him by% h. ammer(ing a\* wood]!en ) stake ^ through ] ;\Mar/\;ti/n's @heart. Cuda buri(e @s Mar=(tin$('s body in h- ]is ba *ck garden, w]*hile ?+over the closi ng credits various:? \voices from peo; ple are+! heard` talking to th/_e rad//io s^ * how ho,st / asking the whereabo%ut[-+s of "th e C! )ount _&q* uot.
