文艺(复兴解锁

　　]+_According to
%- !$Gi ,o?@rgio Vasa/.ri, the
* first art h^?i+` st o%#;rian, (:t%^?[he Renaiss?a!-nce was centre:`?d on a r;evival  of in:.terest in c=l^assical a=rt that b\%\egan and flouri\%shed in ?\I!taly. ;.Waldemar  disagrees `., an ,d accuses Vasari of er
r(ant j]!ingoi]%sm. In / fa:
?c/%t, t)%he mos\ t.,. sign; ifi]/cant ea^rly  dev ,\elopments in Renai_ssanc@` +e. art took place not in Italy, but ?[in th-/]+e ‘bar_]barian’ lands of Flanders a%.nd Ge? rmany. Instead]. of u]n+%derst:#_a`;nd$!--ing t(he Ren(/* aissance as a retur#(
^n to cl+)assic*.#:a[l models, we (/_should see it as a clima`x of medieval val%ues -^%? an ep ^och^[$ of hug,?e religio)us p assions and!? ]powerful human emotions.$　　The series will c, e lebrate !
material :( tha+%_t is new to televi$())sion`#. W,aldemar w^]ill.` include art tha@%[t is not usua_lly thoug`ht of as Renaissance ar*[
t. This will i@_!n:volve 're-c, lassi`):f!+yin`g)#9! what is sometimes call!e(d La@?te Gothi;*c, an,/ d s]howing+@ it off a]+s;( a mar!vellou
s and native artistic tr@@[.aditi ,on, particularly in the remarkable( fiel\d $ ?of p$olychrome sc;ulpt?!_ure. On top of all_/ the ne%/w ar/[]t t$?^_o _b:*
e= ]i,+[;n )!tro `$duced, Waldem[\)ar will also look` +!@!:f_*@rom fre.sh $an `)d intriguing angles at man;y of the esta$/blish ed #[Renaissance giants,+\ i,_ncluding Michelang`@elo%: in the] Vatican,\%_ @*Le(onardo :?in:! t!he Louv\?re, Botticell]i in the-: ` Uf^@+:fiz?;i and Van E+y`ck in Ghent.