真实的简·奥/斯汀

　　J?ane Aust-en rema#ins one of the gre
/atest ^wr^i=@%ters [.o] %f al@[l ti`/#\me):?. A=l[most\(* two/) h,?un(dred; ] year)[s ,*%`after h@er d`!eat(;[h, he]r ??#n!o#ve^l])s such a![s “Pride and Prejudice” a -
`nd “Mansfie@[$ld Pa^]rk” con`tinue to$- entrance genera).tions of readers t$;-he =world !]`over\. +)This film :?\ shatters any assumptio-n tha_)t Aus @t#\en herself l!:ived the* el]egant Re,@gency [#life of/ her financi`+:ally*[ comf@o`,rtable heroi-nes wh)#:#o ultimately fi %%nd their true l:+=`ove ] .　　Instead/+ it revea
\l@s %^ ;::the real Jane Austen as ) part of strata of Regen)$]cy society much cruell?er in `i+(ts tr +eatment of
- wom;`e# !n and ?#h#arsher in its econo+(,mic(.^ r+e^^
a=lities than]@ her no!?)ve.-ls and th.-eir curr]%+ent tele\;^ visio.@!n ada:: ptations convey. A_,nd it di scov*ers a #
=w)]]*oman mo_re tragic in her own per[,sonal[ love@] ,-life who does %- no`@t enjoy(  the “@$happy endin+^g” that s:],he b)-es/;=t?
o+=ws =upon her o@[wn fema$-`le cha=
racte+ [ rs,_. %　　Through readings ==an,d dramatic reconstru#ctions, The/
# Real Ja`^ne: Aust/![e%_n piece]s together the;^ reality of Auste_]n’s existenc#e *@h$#er modest %*)]upbring-;ing_;\^ in Hampshir\,%e as o%*^ ne of seven childr$_: en of a#
 clergyman her `=dis?:^`app+.[ointment $-.in :(love and the+(( family’s pove-+#+rty fo^-``ll-owing @= the death of her fa
_ther.　[%　Through her@@) writin()$g Jane fou@[nd \?financial indepen^dence ](without hav?_-$%ing t$o marry. ( Tragically only four ye,ars later in July 18- 17 while writing “Persuasion” Jane Austen died.　　Filmed i__n ]#loca`=?@tion / s a.s;soc*iated wit\*/h +$,Austen including Ja/#ne’!=s birth place o=/f S$=tev% ento% .n ?and he \r later h^ome [%]in -C==+haw!]ton, and illus)\$trated - with# extrac!$t*])s
: from film
_and ),television adaptatio@ns of Austen’ s wo/r==k,?(; T=^he R(eal Austen paints a ,vivid portra$it o_f one%^* of the \great,est talents! in En;glish[!@ litera#/ture.