无人=,呼叫

　　5;0年代-6 \0年代初-)波兰电影学院派的经典作品之一，堪称与同时代意?=大利导演安东尼奥尼的《$\#奇遇》相比，改编自Józ_(
$ef Hen在社会主% 义波兰时期被禁%-的小说。　　In 1-+960 ].his s/),e%cond film NIKT NIE WOLA ) /`^
NOBOD.Y'S (CALLING,= based on a J.`ozef Hen ?n=+ovel tha (t- was never published in Polan`d, de``scribed the fate of Poles# on t,he East?ern Front. Kutz used t/
he f=?ilm ^@to exp; lore ne _w f
ormal ^ solu,tions., ]coll_abo;  ,rating clos:;ely with cin?,em$)[atograp^)he(+r Jerzy Wojcik [-=to$, r- ?evea(!l `*$t)he\- p#sycholog]/%ical= lan,[?dscape of a) =pair of lovers who a^.re s!$`trong^?ly affect!ed by wartime ,e^vents_. The camera recorded the couple's inn\er ex]perie*nces,! contrasting the-`ir muted i@ ntimac%y agai@!nst`! the su_=rrou
^nding ]@=scenery o(f !_a ru ;ined to-wn. The @$` ^film did $=`not win *o(ver ```crit:.ics at
( the time of its %rel?ease#. It +#was not unt#!il la!) t#er t!=,hat critics recog:n.!i )zed Kutz:9s effort to\; )(:experiment wi%;!th aesthetic^,)s in a $(#m%$anne?r akin to that pu):rsued ]by filmmake]rs of ,(]the new wave[. NOBO,_?DY'S CALLIN#-
G ca-me to be-$? compared  with Mic _helang,e]lo `)Antonio-?ni))#*&#`]39s TH#^E ADVEN[+@TURE,#/@, which was
],p\?roduce?\*d @%ar\
/ound the s
ame time.