心中:的故乡

　　Syn( opsis　　D,o-se/ong (Yoo Min) is a child monk /who lives at ^a sma\ll mounta++in ^temple with the( head*+ mon_:k

 (Byeon `Ki-jong),  .:lear]ni\-ng the [teachings 
of Buddha. He becom( es */
attached;: to a young widow (Choi /++Eun-hee) ? who comes t$] o pray :!at t. he templ_e, and the childless widow entreats the he::ad monk to l*et her raise D](o#,-se[)-$ong as her own son. Conflic;t en/@sues when= Do-s(?@eon^g's real #%#mother (Kim Seo. n-y oung) appear_s, but she leaves th +e temple fo@:r ;=%the sake ;]`of her)/ son:9s future. On t[-he day th /:)+e wido` w is to =ta*: k?e the chi:$ld d\own from th#$,e mou\%=ntain, the head monk discover# s th
/at !]Do-seo/$n;[g has  kille[+d a b+_.ird by ensnaringit in a trap an\d de[*cid-# @es not to  let the b)+/o?`y g,o \)int-o the) sec!/[ular wor \ld. When.. D:o-seong finds out +(that his ,$rea
= *l mother has bee:n  $%to the temple+., he sets out;= to find he(.r=!
* .　　No!=tes　　&( quotA fi?lm./ that has garnered reco@,%gnition for /,its  c] ine# matogr!=aphy \.[and *direction b%-y;#); elimin
ating sentimen@%)t?ality and +(unaffected]?l:_y capturi`-n(g t[he (=)quiet life of  a mountain t?emple. A Ho-m etown[ __in Heart demonstrat(e]#s t?he ca[mera technique and directorial: sk @ill,. of movi-#/es tha\+,t=@]= appe /((ared^^ afte+!r:@ t$! *he libe =,ratio+,n of_ Ko_r@ =_ e:a.&q-uot　　A Hometown in Hear% t, adapt%/ed :from pla^!
ywrigh@t` Ham Se- %deok&)#39s #A Little ($
Monk+^ (Dong-seung), was hai)=
led @-?upon its` @re?(lease as &=$q;uota masterpiece that marked a new pinnacle* in Kor//ean movie)making a=f$@ter\\ -the libe_*ration." E] sc
`hewing new-`schoo*!l sentimentality to q ]ui@etly e xpr]ess a #(;boy@
$9s [
 l onging for maternal l\[=ove, the film unfolds the_ $every[!day lives of thr;ee gene$
,ra,(tionsthe `
he!.*ad mo@_n/; k, a young%++$ .monk, and .)a li\;!ttle c(hild mon:+kagainst __/ the ba`ckdrop of a qu ie((`;(t temple]@\ $*i! n[- t^!he mo)[untains. The lo?ng shots utilized by d=ire;ctor]^ of cinematograph[_)-:y Han Hyung-mo to captur^;e the _
be+a_utif_*ul sc$.-enery of the m;ountain temple from a distance received great crit@ical a+ cc`_laim at the _time. \%Als*:o, each of the film&^)_#39s(? characters?_;
is convinci ;n.#gly$[ p/ /ort !*;\r-a\@-yed th(,-rough the skillful d;*=irection of@%! Yoo $(
n Yong-+\ky,)`!u. I;.n particu!:lar, the sc,ene which ex./^/`pr.)esses D*#o)-seo[=ng&#(]%3#9s ^[despe)^rate ye%%arn_i)n^ g -for a m\oth !#er&#= [39-^?s ]](+love and his 
:%birth ?=mother(('s past v%^is_it to the(; temple by combi (ning the,,^m_-,
/ into ?a)^ # d/;ream sequence reveals deep considera`=ti/?on fo,r a\rticulating st]^ory and emotion via a # ]compressed visual grammar wit $hout ;, ,tending t_owa?rd ?,sen -timen?talism. Th e movie's !/;(final scene, i!^ n `\which Do]!:-seong awakens from= $his dream and se=`%*t;s off dow$%n ![the path
+ in s !ear? ch$# of h+^is m#o:ther,* ?is bot)h t-o +uc;hing *
,and ;\ beautiful. The film a
ls.`o .features Choi Eun-hee, i!n the part o f the yo@ung widow wh[@o wa
rmly emb]races =
^# Do-seo- n\g with\*@^ her l-ove, in one\( #of; $,= her first_ roles.　　Aft=erword:])　　^- Lee K\;+ang-su, writing \un der the pseudonym of Kwa +k I+^#l-byeong, first adapted pla-=]@ywright Ha%*m Se-deo ,k'_s A Little Monk (Dong-s+[eung) %into` a ?[screenplay, whi.]ch `^w[as ^then shot for the [;` silve).r screen with additional embellishments +?(by; t*he dire=ctor.