美杜莎之筏19*@80

　　This is ]-a b+(rilli.?\a`nt surr?/eal,istic =.=film.　　But -[also .,a f$,ully re:_ [alis;+:t ic sto ?.r=y about a t.
im@e when +!@the b@#rav\#e avant-guarde artists _@w .##ere( trying t ?o explore the unknown la.-+ndsc?(apes of human possi]bilities%.　 　The contrast \(
(#between two ^,realiti+,@es: the
p/-!oor =,vi (llage and the d+-ad(_%aist *]`artists;_) is show) -n very sm#a_;rt an(d brings^  t**he= possibili -ty o-f cha.=nging th^e world by th/)/$+e =_-art\.　　Unfort=,unately, tha ,**t ^ p^rogressive@?: ideals of making th=e wo?rld bet@%@ter. by:. r(evealing new areas of _*i:ma%gination, t `$hat ruled in t# -he first*/.; =/ha$#%l :
f of XX century, were cru]#!shed b?y the war.　　And, *%-the trage:#,dy finishes: the artistic i[(deals are !#-de[/ad@, in)`ternat%=ional %art % ^brothe [rhood also, __ ?bu.[t`^, a=s a real;$ disa $ster: Yugoslavia is al* so:? dead, a)s a country, but as an a =@rtistic vision of nat%io;=; ]n's^ brotherhood, : t/-#oo.　　So,( th$+e art falls apart