切尔诺贝#利的大娘们

　　=\In^ t,h[e. radioactive Dead Zone surroundin_g Chernobyl’s Rea ,_]+c/]/^to)r No. 4, a /`defi/an_ =t  com\munity^ of
[^.w; /ome-n scratches out an e-:(xis`tence on s =:@ome )(o+f the m)o+[st t`@o#xic lan(d on Earth._. Th-(ey share this hauntin!gly beautifu!:l]# but lethal l $\an?:? !dscape with a%#,n as+!.sortment)( of interlope% ]/rs—scientists, soldier\)s, and )[even ‘stalk(/# ers’—y,ou):@ng%+_\ th+rill-seek`er#.?
;s^[$$% who sn/$_ea .k in to pur=*!su*,e post.-apo\calyptic* ;vi%d^;eo g[ame-inspired fantasi+/es. Why the film^[]’s ce
ntral chara%(!cters, Hanna Za\$vorotyn
a, Maria Sh^]o_vkuta, and V?`al[`,)en?,ty[na Ivani=(^v +*na, chose to `return after the disast_-$e/#
r, d* efying the aut!horities and end;`ang-er?$ ing the+-@ir h==e@alth ,^ is a remar kable t:ale about the pull of, home, the healing= power o\f shaping #+one’s destiny %and the+; s_ubjecti`(ve na#tur:e of +-risk.