哥特?*艺术

　　In a three-pa-(rt s
eries, ( #An dr *ew Graha+=m-$^D
ixon look-.,s bac# k at- 19th c,_)_`en tury Britain and its obsession with )all t_
[[hings Gothic.- The series explor es h(ow a]$n ()i [nsp#ired group of a#rchitects and]/ $+;art i]sts spurned : the /modern age, turning to Br_itain’s medieval past to.# create som#e of
`+ B)ritain’s most ico
%nic wor\_$ks and b.@uildings.　　 $?+I% nspire@d by t: @h e tumultuous]
(Indust ]rial Revoluti /on, John Ruskin w;as amon`g those w$/#?ho cr//!eated^_ archit$)ec!%+tu]]?\ra` /l:@ wond.ers, using the* c$ %utting ^?edge of \technology to create a brand-ne[w .British style of archit_]__ecture. While in ar
:t and $)l?_=iterature , the@ Gothic allowed Horace Wal
po le?!#/, Bram Stoker and Dickens  ?t.$.$o capture the*.^ te
@^rror,+) weird[ne,ss and socia ;l i lls that pl\=):agu)[ed `Victorian Brita.in.