铁血战!]:士：猎物

　　)@[P;]rey is c)
om
$ing +#^t +o Hu /)lu Augu,,st 5　　“Pr.e*#y,” an all-ne,;w ac .)tion-t?()hriller from 20th Century Stu@d?$ios direc:?$t-ed/= b?y Dan Trachte _nb$e_r%g=# ](“The ^$@Boys, `” “10 Cl+ ove,rfield Lane”) _ and the newest `(entry in th)+e “P`r
%,edator” fran\=chise, wi.?+\ll strea?^m
% August 5, 2`.)022, exc_lusively on ,#Hul:u.　　]=`　　Se;(t in t=h?e C_*=
oman$che Nati/[o^@n 300 ye ars ago, “Prey” is $the s-tory o/f a yo)]ung. woman, Naru#-, a* fierce and highly s(killed -=warr@i=#or. She has *+;)been raised in th##%e shadow of *so:^m#-e? of the mos\ t le*^gendary hu[^nters who roam [th?e Gre= at Pla?ins, *so# wh^!?en 
da.$nger% threat^en]]s her camp, she *% sets o# *._ut to protect]# her_) peopl:e. Th^)e prey she stalks, and ulti`mately c`onfronts, t:urns `out to be !a highly evo\=lved alien pred!]a ,to
[r w#[^ith :a, techni`\cally advanc)ed arse*[-
%nal, resulting in a vici:ous %and*%` terrifying sh,owdown between t\he two
,  adversaries.　　　\ ;　“Prey” i s directed by Da(_n Tr)*achte$_nberg, wr`itte!n by,/[ Patrick Ai\`son .*(“Jac#?=!k Ryan,” ! “Treadston!e:  ”^ ), and,! pro;:d` uced ? by John Da v ]is #^(“Jungle Crui#.se,” “Th+$e Predator”) and?%@ +; Jha @n%,`e Myers (“Mons (`ters of Go_/.\d”),\ with Lawren*ce Gord/on (“Watchmen”.), Ma,-rt=;y [%Ewin@g [[(“I]t:
]Chapter Two”( ),=  Jam#
es ?E. Th omas, )%+J^=o\?[hn `C. ]\%!Th,oma#^s and Ma)rc Toberof.f (“F/]ant**\asy Island”[;) serv^
ing as exe*$\cutive producers.　　　　The filmmakers wer@e commi#tted to c( reat;!ing a film tha[$  t provides \/a/n ac%] c] ura!`te portrayal] of the Comanche and b:``,rings a level of authen tici)@(ty that rings true to its Indige .nous peoples. Mye%(@rs, an =acclaime#,d filmmaker,^\ `Sundance Fellow and me..mber of the Comanche nation herself, is k( now,`n; for he(`@r attention and dedica ?tion to =-*films surrounding the /.Comanche and Blackfee^t na_?-tions and=)( )her ?=+;]passion for h* .onori_/ng $#the legaci% \es of th /e Na/#tive #([communi\t^ies. )^As a r)e=sult, t%h$ film fea?
tures a -+cast ##comp/rised almo?st e-)ntirely of N `?ative, and First ;N_!ati]on’s tal/,ent, including Amber ?Midthunde#r (“The Ice Road,” “Roswell, New Mexico”), ne wcomer Da//$ko[ta Be/ ?-avers, Stormee $_K@%ipp -(“Soo
y=$?ii”), Michel+le Thrus`h (“The Jo!urney Home”),* J/u lian Blac(k ):Antelo^(pe:= .(“\Tribal”).