拿坡里少年自拍-,*日记

拿坡里少年自拍-,*日记

7.8评分
2019法国其它HD

  《自拍.》是16岁的戴*]%维德·比福尔科(Davi_d$eBif) )!olc#,o)一案的独特 记录,他在特雷亚诺的那不勒斯(Neapo`lita?$nDistrictofTraiano)%被一名宪兵射_[杀。为了了解一个经:.,常被描绘成贫民区和“卡莫拉”据点的街区,以及戴维德死@=亡+]的情况/,导演+\Agostino Fe@(rrente寻=;*找戴:维德的朋(友,并 会)= 见了Pietro和Alessan) ^dro。在这部电影的序言中,有人听到!/他.+[%在摄影机.-前问,“告诉我你:的友谊”,^^这揭示了他,对这个一 贯合作的+纪?=:+实小说项目的态度。他让孩子们带+上手-机和+麦克)风,把(_#$他们的日常生活记录(成一部=)[“自拍”电^`影,无论他们是骑(`着摩托车,在#^海滩上^,和朋友一起+@玩,./?还]=?是在厕所里。在一个%#自我戏剧化经常成为产品的时代,这是一种完美)的*形式。其结*果?*/是一幅令人印象@]深刻的拼贴;*画,(无论是视#=觉上还 是在电影的音轨上,都是 关于青春期;关于你的背景决定你:?未来的生活;关于国家专@制;关于愤怒和悲伤,但最重要的是,在一个坚韧统治的;`男性世界*`里,-一 +(:+段温柔的童?年友谊。  /`Selfie:=] is a unique re*=cord o# f the cas`e of 16-year #-old$ David:e ,`!Bifolc*o, who]. was shot ; dead by`* a carabiniere in, the Neapolit _an dis#trict of T r:`aian*;o. To __unders,_tand)\ a neighbour_:[ho]]od often;= portrayed as a =g%hetto an`d ‘Cam%=o=r:ra_’ str\onghold, as` w^*el^l as the circ%;+ums]tances of Davide’s death,) \director Agost\in)o Ferren/te ^,seeks o_*ut@%__ Da%vide’s friends a nd m//^ee. ts Pietro a)nd Al..^essandro. In the film’s ?[i$ntr! #,oduction(=, he is heard aski\$ng @#^o=`^ff-c=$amera#, ‘t_\]ell#) me @abo:_#ut y$`our fr* iendsh )ip’, whi@ =ch reveals his appr@+oach to.# thi _]s]( consistentl:,y collaborative do/;`cume`@ntar ,y-ficti$o%(n project. Equipp##ing the boys wi[%th a mobile phone: - and a #`microphon @e),-#@, he asks th/%em to d_ocu m$+#ent thei--r ever/_yday lives as a ‘sel#=fie^/’ fil]/ )m/[, whether they are+ _ riding a scooter, at the[+ beach, hangin^^g o ut with f-r#/iend -s or on _the toile,t. This t. ur _(ns out :-to #be the perfect forma%/t in ^^an age -)wh:\!!ere!_#* self-dramatisation often )^)becomes a produ-+ct. Th e result^ _!is %*an =;(impressive collage, both visuall;^y and in the fi%=lm’s audio track, ab%+out adolescence abo` +ut live#@ s whe=r`e your @,bac*^kgrou=)(nd determines y?our fu$!ture =#abou? .t state d espotism *about anger an );d grief, but); abo[;ve al\l abou- ;`t a te/.( [nder boyhood fr;?@ie-_ndship ` i)n a mal#e ;w;=@orl#d in which toughness reigns.

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