出售, 救世主

　　We aving links between;, Ne*[w Y%ork’s auc^ti
\on houses and art dealers, a=\ :
!revere[^d-\ British  Leo[_n](ar;%do da Vinci e::`]!xp $ert, one opportunist)ic Swi:_ss go^ -betw
een, a %Russian oligar!@#ch, Lon^\@don’s Tate Ga%ller[y, ;?
Le Mus +_ée -(;d)u Lou vre in Paris, and a Saudi =[_Arabian pr 
ince,@ jou[?rnal#is*t Antoine Vitk/ine d`elves in
.;to th)e s.\ecr\,ets  [of the art wor=
l(d,!; an^^d=: explore)s \the influe^nce that one paintin.#g \+]can hav^@e. Af#ter mysterio#usly (@ a @ppearing,@ a painting title.+,d[+ S@ _alvator Mund/[ i (The Savi:# \or ] `]of %(?=the # World) was so=+ld at Christie’ $s a+++uction ho?`us)[ e, for a record 450 milli.^on$ US dol lars i
^n ^ 2017.] At@;tributed to$)? Leonardo@ , da Vinc i
?= after its discovery, what became the most expensive piece of ar@[t +ever has u*/nleashe(d passions+, whi,,?.le .#
rev [;#ealing #:#!the excesse_s of our t)ime. Journeying along the hidd; -en [! t/rails of `^mo#^\ney, p\.ow #er, and deception lyi%)
ng% be^[:hind thi*/ s_; que[ stio_^nab)+l/,_e masterpiece^#. , this fi-lm ask_s: is@ th is really th/ e work = of the I@` talian genius, or o\ne of the greatest sc_a/% ms i
`n the _his.=/to@*_ry of ]art?