夏洛克的;]灵魂

　　Alan Yentob tr`.`avels to the ghetto in Venice w,#i,\t-h award-winnin;]g@ nov
$`e/.li)$st Howard Jacobs:on #as`[(` he ,emba$+(]rk$s on a retelling of#[ Shakes.#`:pear%!?!e's most p@%%@erformed =\pla]:y, The Me(r(-?chant _/[o/@f#-[-# Venice. Thr+) ough `$_`a series of livel%y - often fie)=,ry -!% i^\_n
]/terv]@iews*, they examine the
^/char^$ge of +\anti-Semit*_ism against :`Shake:-speare, whose character[ S*hyloc)])k rema=:(?ins one of the ,mo ?
:st _o/dious and divisive fic%,tional Jews in hi(
s)^tory.　　How did the moneylender fr=;om.: ^Ven)%:@ice b!,]ecom*e such a/: u,seful+ propaga/nda tool in Na,zi Ge]@_rma\
ny? And how m!`:[$uc )!_h ; of a lib
%erty wil:l Jacobson be= ( taking when[ he upr
oots the act_ion[ to modern-d[.-=ay Alderley E$^dge,+^:, (a#nd audaciousl : ^y) reint ;e++r ?-prets $%the infamous 'p[)oun [ d of flesh'?*:　　Interview* ees include\ ($!Antony She:;r#, Anthony Julius and Step,$$hen Gre enblatt.