这里是亚@美子

　　Amiko i(sn$’t like other
! children. Her endless e*nergy and cur*[ious eccentriciti+^ es ?make her an outcast at s,@choo$l =an`^@d get her i%/=n tro*?:ub;?)le at -[.hom^e. Whe,*n*# a painfu)l fam%@il=y loss disrupts([ her?/#$ seemingly \idyllic seaside -;l@.ife, her sen%!!se of \;isolation intensifies, yet it doe)s$?@n’%]t stop ([Amiko from inviting pe #ople i [nto her world.　　Morii) Yusuke’s directoria@!#l debut is a confident_) and :com.pas_sionate story) - abou^
-t a ch[ild’s*+] ima+( ,ginati!`on. The _=\fil@;m: b =ala^nce;* -s sorrow with j^=oy and harsh l^`essons\ w*^ith naive delight –;+ much li;=ke growing u$
p. C*@ru=@c*$iall)(y, A#miko never f! *-or+(gets w.ho is at the ^centre of $[%th^#e.; story. The wry humour+
/) )and detail_$ ed, compositio ns of s:*?mall-town Japa+n, as well as the f! ilm’s ;=hopeful tenor, are remi_n[]iscent?!, of Og #i#ga=.;mi %-Na+oko or !!^Hir%
o+]kazu Kore-eda’s
^ wo?rks. Th e, gentle and;# languorous atmo?sph@ere is ` %enric,h($e!d by a@- sc

ore from upc!!oming folk s%t=]]ar Ichik\ o Aoba.　　Kana Osawa deliver(_s an e\( `:xqui,,#site, for](+)ce-of-na*ture $:performanc]^e a:?,s yo]u%@n
g Amiko. [Eff*_ortlessl_y! natura.`l, her co)#$mmand[#ing pres.$en!ce an=:d ].vit.ality carry gre)-[at] we`
ight w@hils%t e*ns!#(uring*\ the film n[eve%)r f, -alls into despair. Amiko’s )unbea$$[t)en sp @`irit ^in the
 fa$[ce of -/ tired^ adult( ;^s and uncoope$rative c%/lassma[+tes le^ t$
s us go through *the p.$ain, as well  =as exper :ienc^e flashes;, of misch ievous w\himsy, alongs 
ide a spirit#_ing musical sequence that will e`nsure/!  you?’;%.ll n,e-^ver listen t`)o @;a conga drum the sa+@m#]e .)way.