玛丽玛丽血?@/ 玛@@丽[电影解说]

　　墨西哥超现实_\:吸血鬼片，导%/`演J( *uan Ló@pez Moc(tezuma是JODORO]WSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。　　A_)\ beautif+-ul*:#l a[rt,;%ist (C ri=sti(na F[*errare) moonlights as a vampire while $%in Mexico, \killi`$[@ng lovers o(
f both sex. It s*@e?%] ems that the %=only person`)% ^who has an%y chanc!e of stopping her : `r=eig.**n `[$of terror is h
er father (J-ohn Car,, radine))[, who%$' ,s !)`! als $o a vampire. Mod *el and fut ure TV host$/ Christ`in ;+a F^[^e,rra;re is a$(\ l?)e,sbian #va#=mpire[
wh!.$ose victims are dying t@o.! q,uench.\: her thirs t for/ blood. M (\exican #aut =?\horit!
=ies and her +?f@a^=\ther) ) (Joh n Carra*+din]$ e[_[-) t[

ry to@ co*me )!@ b= #etween F%.]]errare and h;;.er n] ;ex\t target's neck in this horrify:]ing shockfest.　　Juan Lopez Mo) _cte(zuma&#39s MARY, MARY, BLOODY MAR Y ( *1975) #(is on?e of those movies you watch and, afte+,r _(^_mentally catal^[]_o(ging! all the thin^gs wron=g w+
*ith it/, realize ho?@(!w c ool `;it really is?... mo`stly becaus.*e of all @?!*the th
;#ing)s] yo;=/u thought were wrong^ wi[+th
$%i/$t. Cristin-@a Ferrar\e is such a P amprin hea#dach [e$!_ `of an actre %ss, as stiff .as a cellulo#+:?id collar, and y*^^e+t s[he d,%oes crea@
te one.) o;#f cinem%*a#,'s most int`;er)/esting vampires.*] In many ways, Mary couldn&#/39t be w#o*rse a ;t@% ^-what sh-+e does( - wh-*ile the= @earl

y murd%e;]r of a man),[^ --%in[ t(:erested+`! i*+@n- mo:!^re tha*;n her #)paintings goes ,o)ff smo.`othly@% (Mis\!s T:[hing sly/,ly sl`^iding a [hairpin out of her ch  $ignon during female sup(%erio:r sex a$nd using-
i-(%
t to lay open his ju$\\gul^`ar), her next victim (a fi)sh (erman, @whom she +.(has attempte*d to drug) nearl=y fen)ds he))r- off u`  ntil -she takes him d !)own i[/n one of the most ungainly va:! %m
@pire att(acks  ;o/[f all time.　　Elsewher%e, Ma!\)(
ry proves \@her-sel f a com /pl^e(;te chicken,:$
sh!=%it in.: mom!ent_s ) : o(
f ten:\sion,+^_,- as(=$ when$ sh=(?e breaks down in b
ig bo#]##o-boo tears [+@when con#fronted_. on a country road by a my#sterious ,,$fi(%gure c \+l-]*ad in** bl):!ack. S he's lac]/hrymose%+, emotion)=?a,$l$
]=ly [#@;withdra\)wn, sexual ?ly disengaged %)an%@d her art sucks-\... w?%ha.t a, p, %erfec
[t port)#rait of an Ugly Ame r%icana s:;+ pread\)ing the whit-e man's poison ^ south of]? t,:\he @border. It&

*#3(?9s !in this con)+)text
(;th/at the+? c#*)heapness of the prod%
$ucti_;on, th=:?e harsh 70s :*decor, ? .the (col!
%d,]/
per.functor/!y perform)/*a+*,nces and the,+;_ =wall-to-wall__ Muzak sc/*$ore act?ua=$:lly begin to
^%
seem li $`@ke grounded artistic choices and #h/#ave a lot to do with why I keep( comi]+ng back( t@o this one.　　MAR*Y, #@MARY,/( BLOOD)Y MA_(RY ++ends i*(:n a ! surprisingl_/y 
cynical* bloodb\,?ath of ultraviole%^nc`- e tha^*t leav$es *on.ly $+the p;=$+a@!=,thetic title characte[\ r standing.,#_.. or in +reality on h, er knees+) =su@\cking the life ou.`t of the #\one p\er#=s\_on whose love she had relie d o]_,@n t[o point he^.r t[,o some kin.^d of normalcy. Not=@#
enoug*h vampi)re movies use awkwardness and incompetence a!@*$s charac^ter traits to define @*_ t=$=;he
ir bloodsucke]rs and that&#39s t@+?oo bad. Georg -
_e Romero had)_ similar ide:(as fo# r ? MARTIN ,(197;]6) a year _`later but portr!ayi @ng 
v;?a_mp$ir_.es as just folks is definitely the horr/ or$( road -
not t_![aken.