恐怖天蛾人[电影解说]

　　&]#39M]othma!n%?+]' wa@;s yet` another miserab le &# 39o;r,!;igina
[]l&%./%#39 film that ; SyFy] dec@#ided to torture vie)(\wer^s w!?ith@\?. -;Who at the SyFy Network is drinking+ the wron_*g ^Kool-Aid? ^!Th$;ey need to hi[re knowle:@$dg ea(
ble a$/nd _inte+*ll,,^i -gent decision m=a^.#kers whe/n it co;mes to their line#+-up an [%
_d production;) p -roces?-^,ses. The onl*y thing redeemable ab[$out 'Mot]hma%@
n#&#@(39 is(* th\=-#,at t+;;he acti@ng i$s abov`-e average fo$\.r- ! S*yFy or+iginal features. Th;e cast; did a pretty go )od j,ob,+ with suc-_h a=
% crazy,. undeve$-(lop#+),ed storyline and sc(._/rip_-:t.$  The special effe]cts were r; -e` a[#$lly p?itifu*l - worse than the( #/ ol^d di:n(osaur flicks from the 50's and 60&#,39s. With^. t@oday[9s $`technology, someone with creat^i=]_vi+ty and skill could ))have created muc_!
h better effec#ts with hom+e com`_p@ (!@ute?)r:: equip,_ %ment. I belie .ve /
@!that any movie %wort
[h makin:.g .\is wor
^th mak$ing right - as right-+ as p\+o=ssibl.e anyway. This sta=rts with the writ-e.rs of cou^rse. A so#`lid plot, stor [ /yline an`d dialog/ reall
y are the m%-ost -i $mportant -@? special e[ffe_c `ts can
$! enhance or destroy a film as_]( w),.el##.l. Continuity [is a major el%ement in both, #in order to eli#minate possibl(
=e holes and+, aid in believabil=-ity. %!I gues s the ??production  company did$n't hav.e any%+on :e wh[%o co)#?!uld ,+prov_)ide c(:ontinuit*y] for the script or wo(
-rk-flow durin@g filmin\(g an]`d_=== editing. O%h we ll. #,An d wh]y the heck did &.+$#39#[!SciF%@i' cha%?nge,^=^ their nam= [e to #

_9SyFy'? Ridiculous!