小迪-克西

　　E_% rstwhile Special Forces operative Doc A=_ \lexander is aske_d t$@]`o=
+ !(broker a tr.;u_ce with the Mexica[*n drug cartel in ()
secrecy=`_. When Okl%aho^ma %Go*
%vern
or /=-Rich%ard =, Jeffs %ce
(_!lebrates ]the e.xecution of ?/a#+` high-rankin
]$g^% carte
l ]) mem]ber =@on TV, h=is_= C@ hief o!`f Staff  /and Doc inform him ab,!.out$\? the pe [(ace he%! j^+us)@t ended. But it’s too,+ late, as C;uc[o, the c-artel’
[*s hatchet man, has; set his vengef
ul sights on Doc’s daughter_ D(@`-ix!ie.　　They d/\on’t make [’em like L?ittle_ Dixie anymore: honed t#o the bone, [a=ll(. ,%+gestures and a(,c?.*.tions, o++nly a  few word s. To-,o many ge??-nr e films ^;t-;#,h?ese days try to crea=\,t(e?  meaning !^by *)pil
#ing ideas and- inten\)ti_ons on the*\ %%ir _(narrati_:ve ?!,frames. =!$John Swab, as_ alwa !ys?, wo/@*rk%+s the other +wa;y arou? nd. Me!an;=in+ g and dep]#th come from taking awa.y ?wh($+atever is super(:@fl\:uous – by reducing the $plot(`* to its :;bare esse-$_nce an##-d the characters to` t^hei%r co*re t]+ rades a/`nd tricks.　　Ul tim ?a_
:te: ly, ?),L,?it/!#tle Dixie feels like-, the pulp fiction* version of a Giacometti sculpture, all fear (ful \
symmetrie$/s; and mirror images. A ge?/m of crime/=_ -\cin !
ema at i#,_t#\s p#\ ur:est,!` and most ph*
iloso
#phical :, proudly featur/ing no[!ir’[_s new darling:], Fran +-k G( rillo.