法国 `=性谋杀[电影解说]

　　Formerly, the u/sual[ U*K title was THE BOGEY MA,N AND _TH=E ,! F]@!RE+NCH \*--MURDE!_RS. There's also() a Greek$!= video ;)w!ith the sleev:e tit[$,le, CALL `GIRLS FOR ;`?INSPE*^?CTO
\R +B/*[OGAR..*T. The insp; ec=to+[r is no(t named  Bogart, no@*\r does,)* he]`\ g+et( any `_.call girls], but who c[ares? It's-+ a _title that sells.　　There&]#39s a killer ;)in :[Paris,( a suicide fro\#[m the Eiff/el Tower, a$ brothe%l as the main s et[# !ting, ) (%,i^nsane pr)ofessors, an eye-ba]?ll thief, an inspector who looks like Humphre
!y]+( Bo_/gart@, (for no appar. !en@ $t re ?a[s o?n.), a _`truly
creepy An=ita Ekber!g, an%=^d an impress)^ive line-*up -of Euro-star!)s. How Dic`)k Randall 
ass*; embl].
ed this cast is b(
#eyo\_[nd me!,, but he did-# it. B/@esides Ani!ta(
Ekberg,_=$ t(here's Rosalba N%eri (;!`wh=% o even s=@ings a song i n a nightclu#@`b),^^
 B[a(rbara -Bouchet,  Evelyn Kra?ft, Howard Ve?.#rnon, and
?@!! Rob;ert Sac.;chi as insp(
ect ;(\or $Pontaine or Hu=^mphrey `Bo
/gart. T*he ti]!tle is pr?e?-tty\$+ accura(?^t e.*- The murders take place during,\
 b@)%e
-fo#re or a-/fter se!,[x in a b* rothel?] in Paris. In between, the Bo (#gey[]) =-man *+= snoops -%^around trying to^ [tr@ack down the ki_(=]l
l\
er, ;but he is $no=,(_t: !:too brig,ht. You&[+#39- ll probab]?ly ha_ ve figured ` it%]# out? lon?g be+)
fore he do:;es.　　The film&`#39s produce(r w?as A\-mer)
%ica`n Dick R
andall who/` t$ook resid?! [/ence -[in Rome in the ' =6 0s but ba=si[)cal
ly was wherever  @the deals where made, which me?
ant Rome +in th#e ླྀs, `.Bangk? ok and  .Hon.,#
g Kong in the ྂ:s and London in the &%!`=#39%*-8/0s. Whil[st residing in It`?\a[`ly, he :+payed ]-%cl @ose atte_n@tion and decided to;= t/ake a shot /:[at  the giallo as well-
+, and produ!ced this pie ce of cinema,@ti? c ]@=soufflé. It's a perf:+ect example of totally round the b^end ?Euro-tosh, with a !  rather tame ex,ecution actually,$. The
@ direction =i%*s`
not?* wild--_)l
.y imagin^.#ativ )e, :;*;a w[**orkman's ?%job% at . best, so do
?]n't=* @[expect ou^tra@:` geous Italian cra ^ftsmanship +an d style ^ here$[, b_`ut some spici=ng-up in @+the editin-_g by B==:runo Mattei;.\_　　$The special effect$[,s w?ere done by f#uture/\ )! ]Oscar-winner (Carlo^ Ra+%mbal:di of ET fame. I guess h, e l_earn*ed a lot sinc%(`)e this one. Of cou@rse, the presence =#o*-]f $@:Rob*ert Sacchi, among some other ing!\redients (_=mostly %(the cast) g$ive this film a certain $@,^weir[_d i\ ]]den@_$tity of its ow:$^n. All to+
gether, i ;t&#(39\s pretty !$much a]# poor
)$ m- :,_an's interpretation of an   [Italian Gia-(l@@[lo.　　T]?@he version on Mondo
Mac^ abro&\\ -#3(*[?9s DVD_ n]
eve ? )r exist`(ed +!i*\$(n thi?)s form.\
+ From various c] op%^i@es, they =assembled the %longest ,*ve *;!:rsion they coul =d possi%(bly pas*te t__oge[th =$er. Th^/ere/#9s an \ English audio-track, but =a couple of `scenes app [/ear in 
Ita.:lia
_n +:with s(@ #ubtitles.　!//　imdb c\,^omment