美好的?死亡

　　Te^rminally i*-]ll J[anette wants to di:e with dignit?#y, but )];it’s/( not possible in the UK, where sh?$e$( lives. She therefo+re dec/i ?#des for a \ssi)/s[*ted.) suicide.\ S+he mu st pl^$$ an her jo`*urne^,_y to Switz#:]erla nd before h@ er rapidl y /;_advanc*_!ing!
di_sea`s)/@e makes [:+it impossible. The ?%quest*ion of @whet_her w](e o=?w$n our own ^lives or ,-whether they ^,:*own !us is t((he primary i_\mpet:_u]:=s be=[/hin_!)`d:;@ ?th/;is)  do[cumentary portrait, whi@c)?h shows t+, ]hat __death can be. good de)sp]) ite the sadn.e-=ss .th*_-at
%always a)
ccompanies it* .$ The film, with dramatic:a 
lly suggestive camer\a_;_ wor+k, us#(es featur-
.e film t$#`echni ques,^@ and engaging c/har=act`ers and stories of their l_%_`o:(ved-( ones are interwov@?en with % Janette’s stor,_\y.　　&(.qu\otL*e.]t=^&#3#(9:?_$s talk about d eat*
h because we will all die som/ed^-ay
\ . The question is: c_an we cho os*e w#hen and how? I t]h;+ink we should." T. Krupa