电影!的墓地
Ba r_ e` _foo(t :]roadt rip$`( +-. around ` Guine\^a in search of the first ^film ma=de b;y a local filmmak.=er. A ch arming and cinema, ` tic adven \[ture, wher! *e`(` the jo`ur??(ney.?: and the% desti na tion are e\%:[qually )@impor!=[tant, and : a %f]_#ilm a:bout co]ll ?e]:ctive memory and porous film ree @ls. ??( Does a^ f]$$?il=$m $!\ exist if no one has s#een it? Gu: in]/-ean.] fi:lm di; ^@rector Thi!erno Soul $]e .*:ymane Diallo go+/es on a barefoot road trip ar=o%un;+d his :%country to find:@+ /%th-%- e* /_myth.;ical 1953 film;# ‘Mo ura?(^mani’ – t#;he first Gui^%nean film made by a loca l fil mmaker,. But it: is $not ]$ e-,as [y t%( [o find the fi(lm o]?_r); anyone who has see$/n_.:] it ].for %that mat^ter= @ . Some? beli. eve i; t : is a ;)!bout the Islam+is:##a/ tion of *= t.+=he Mandi$ nka people. O :t=:hers =*that i-=t is about_ the relation?shi p between a dog and its owner. A lon g the way, Diallo pass`$es old, abandone d ci nemas and dusty piles %of/# moisture-dama? [^ged film reels. ‘The Cemeter y of Cin` ema’ is a ch)[ armi\;ng, c inematic adventure-\ i@$(+n which the) j*ourney is almost( as +[importan!%t as the destination, and -whe, $r ;_e the e nco[-unters ] *[%al`ong the way remind us of th[`e im*portanc (` e of p*!.reser/ving a s)hared me mory a[nd culture?];l heritage.
