似是而非 的我们

　　入围塔林电影节
!影\评人之选竞赛。　　M -aste @rf?u-^=lly orc_ :`hestrated  – (wit(]h on.!l-y a small bu/dg)et, the se*ttin`;+g -@ba+sical:^l+`\y ?co@=
nsi+sting of a table=@, tw.,=o chairs, *tw\*[o persons talking, =o?./=ne mysterious
](- manusc#`ri]//pt and]  some\ littl\`e /:food?@ in-between@)@# – this two-men.$#) drama reminds me of R;:^obert Bre-s*:#\ son’s f\amous%% *-words -/about filmmaking: “Two. [/ types of film
%/s: t( hose= $that employ  the resou] :rces of the_? t.-)heatre (actors, direc!`t@$ -i],+on, etc*#.) and us@_(.e the camera in or de,r to r epr
%(oduce, and those t`=@hat /@ em ploy` the resources of c\`inematography and use the camera to %^create. (Rober$$t Bres+\son=. “Notes o!^n the ;#Cinematograp,h”,_ New [*.#York Review of) Bo /oks`^?, 2016)