感情;劫匪

　　Mona \!(Maël=l*e` __Poé*[sy) has r!,(
ecently a[rr?-ived in N:\ew - York from France in order to moun,t he$
r  .newest ?-play — an autobiographical p? iece that depic(;=ts her tumultuous, on-a`$,
gain, off-again a= `ffair@^?* with a married photograp`her,_ Nick] (Linas Phillips). M ^#-o[(na casts Chris ( Keith Poul!#,! son) as Nick and Thérèse (Esth-,e+.`r Garrel) to p=lay t
he fi?@cti,onal ^v`#ersion]] of herself). A+%*s re+-hear*s/
).als ,@begin, a lo )ve quadra+/ngle emer`*g (es: +Mona fal`ls (for ?C\ _*hris, (,=Chris)% become\\s in`fatuated with Mona,! and Thérèse develops deep /@+f-(ee l!in;^gs $.for Chris. This tangled ro*u(`ndelay u/# nfolds in _[five chapters, `(!^(c:?# overing the sa`me events from each of the fo,-ur charact`er’s p?e:]`rspective[@s an\^d cul
,]minati,
ng in a / fraught  produc+[`/tion of @the play itself.